Original designs from 2022-2025
This is a curated selection of available tattoo concepts -- visual works designed specifically for the body. Each piece can be placed similarly to the mock-up (with minor adjustments) or used as a reference for a commissioned piece. Concepts ar focused on form, feeling, and flow not gender - THEY ARE GENDER NEUTRAL.
These are not flash tattoos. Each design is a singular composition, created for a one-time connection and application.
Once a piece resonates with you, you can either:
- Take a screenshot and email it with a short note about your thoughts
- send it as a direct message on instagram
From there, we will arrange a free consultation -- in person or via video call -- to explore the possibilities and make sure the piece integrates meaningfully with you and your body.
Series shown:
GRADIENT FIELD/FLOW/CORRELATIVE STRUCTURES/RHYTHM/LINE-SPACING/FIELDS OF GREY/GRID SYSTEMS/SPHERE OF INFLUENCE/PATTERN RECOGNITION
Take your time. Scroll slowly. See what stays with you.
This is a curated selection of available tattoo concepts -- visual works designed specifically for the body. Each piece can be placed similarly to the mock-up (with minor adjustments) or used as a reference for a commissioned piece. Concepts ar focused on form, feeling, and flow not gender - THEY ARE GENDER NEUTRAL.
These are not flash tattoos. Each design is a singular composition, created for a one-time connection and application.
Once a piece resonates with you, you can either:
- Take a screenshot and email it with a short note about your thoughts
- send it as a direct message on instagram
From there, we will arrange a free consultation -- in person or via video call -- to explore the possibilities and make sure the piece integrates meaningfully with you and your body.
Series shown:
GRADIENT FIELD/FLOW/CORRELATIVE STRUCTURES/RHYTHM/LINE-SPACING/FIELDS OF GREY/GRID SYSTEMS/SPHERE OF INFLUENCE/PATTERN RECOGNITION
Take your time. Scroll slowly. See what stays with you.
GRADIENT FIELD
Blending in with negative space.
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Gra 444 (chest or back, but could be possible work on arms or legs)
Definetly could be expanded to arms. |
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GRA 412 (arm/leg)
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GRA 404 (arm/leg)
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CORRELATIVE STRUCTURES
Correlative structures depend on each other, layered and spread out across the body to turn static structures to life by the body. The minimalist elements are spread out, but obviously connected. These compositions are animated by a single motion or by changing the viewpoint to the body.
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F12 (Concept. Needs to be adjusted to the body and face - face areas can be moved)
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F21 Disrupted flow(arm/leg)
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708 Almost local.
(Can also be used as the center and expand onward) Back, chest, arm, leg. |
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688 The dance
(Can be used as an addition for a bigger composition) Neck/face-Leg-Arm |
631 (DISTORTED DISTANCE)
Combination of two limbs: arms or legs
Combination of two limbs: arms or legs
654
(Can be used as an addition for a bigger composition)
Legs-arms
(Can be used as an addition for a bigger composition)
Legs-arms
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686 Trajectory (Can be used as an addition for a bigger composition)
Front-back |
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648 Empty (Can be used as a starter for a bigger composition)
Front, but adjustable to arms/legs |
708
(Can be used as an addition for a bigger composition)
Neck/Collarbone
(Can be used as an addition for a bigger composition)
Neck/Collarbone
710
(Can be used as an addition for a bigger composition)
Neck/Collarbone
(Can be used as an addition for a bigger composition)
Neck/Collarbone
628
(Can be used as an addition for a bigger composition)
Back-Front-Arm
(Can be used as an addition for a bigger composition)
Back-Front-Arm
611 Supernova
(Can be used as an addition for a bigger composition)
Arm
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648 (Can be used as an addition for a bigger composition)
Neck/Collarbone |
811 Direction, Terget, Energy &Resolution
Based on the four pillars of movement. Compositions are dependant on the body, but need to be separated between different viewpoints and joints.
Full body
Based on the four pillars of movement. Compositions are dependant on the body, but need to be separated between different viewpoints and joints.
Full body
801 Direction, Terget, Energy &Resolution
Based on the four pillars of movement. Compositions are dependant on the body, but need to be separated between different viewpoints and joints.
Full body
Based on the four pillars of movement. Compositions are dependant on the body, but need to be separated between different viewpoints and joints.
Full body
814 Direction, Terget, Energy &Resolution
Based on the four pillars of movement. Compositions are dependant on the body, but need to be separated between different viewpoints and joints.
Full body
Based on the four pillars of movement. Compositions are dependant on the body, but need to be separated between different viewpoints and joints.
Full body
821 Direction, Terget, Energy &Resolution
Based on the four pillars of movement. Compositions are dependant on the body, but need to be separated between different viewpoints and joints.
Full body
Based on the four pillars of movement. Compositions are dependant on the body, but need to be separated between different viewpoints and joints.
Full body
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727
Irregular shapes, color. Adjusted to a viewpoint, but can be expanded. Fully dependant on the body. Front+Arm |
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748 (Can be used as an addition for a bigger composition)
Neck/Collarbone |
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649 (Can be used as an addition for a bigger composition)
Arm/leg |
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651 (Can be used as an addition for a bigger composition)
Neck/Collarbone |
RHYTHM
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RHYTHM01
Composed from a single line glitch, stopped before it becomes a pattern. (Needs to be adjusted to the bodypart) |
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RHYTHM02
Composed from a single line glitch, stopped before it becomes a pattern. (Needs to be adjusted to the bodypart) |
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RHYTHM03
Composed from a single line glitch, stopped before it becomes a pattern. Localised concept example. Size according to the bodypart. |
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RHYTHM04
Composed from a single line glitch, stopped before it becomes a pattern. (Needs to be adjusted to the bodypart) |
LINE-SPACING
Pieces that center around the space between lines.
Works well with typography.
Works well with typography.
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L-S 01
Inner arm + outer arm or front+ back of the leg |
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L-S03
Wide range of possibilities regarding placement and adjustments. |
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L-S 10
Front or back |
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L-S 11
Back of the leg (could be adjusted to other areas) |
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LS-12
Adjustable to different areas of the body |
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LS-12 (IN COLOR)
Adjustable to different areas of the body |
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LS-13
Adjustable to different areas of the body |
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LS-14
Adjustable to different areas of the body. Does not need to be mirrored across limbs. |
Fields OF grey
Architectural drawings of gray planes inspired by architecture.
Layered with familiar elements from architectural plans.
Layered with familiar elements from architectural plans.
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FoG_
MNMNT_11 Localised drawing for the body. Adjusted to location. |
FoG_
Shift
back
Shift
back
FoG_
MNMNT_10 Localised drawing for the body. Adjusted to location. |
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Singular details 1-3
Adjusted to the body and can be used as extensions to a bigger composition on the body.
Adjusted to the body and can be used as extensions to a bigger composition on the body.
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FoG_
MNMNT_02 Localised drawing for the arm. |
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FoG_
MNMNTs .Scattered composition for the whole body or spread out between bodyparts. |
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FoG_
MNMNT_09 Localised drawing for the body. Adjusted to location. |
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FoG_
MNMNT_08 Localised drawing for the body. Adjusted to location. |
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FoG_
MNMNT_07 arm |
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FoG_
MNMNT_06 Localised drawing for the body. Adjusted to location. |
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FoG_
MNMNT_05 Localised drawing for the body. Adjusted to location. |
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FoG_
MNMNT_04 Localised drawing for the body. Adjusted to location. |
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FoG_
MNMNT_03 Localised drawing for the body. Adjusted to location. |
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FoG_
SCHEME_03 Back |
FoG_
MCHNSM_05
Localised drawing for the body. Adjusted to location.
MCHNSM_05
Localised drawing for the body. Adjusted to location.
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FoG_
MCHNSM_05 Adjusted for the back. |
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FoG_
FLGHT Localised drawing for the body. Adjusted to location. Arms/legs |
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FoG_
Wind Localised drawing for the body. Adjusted to location. |
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FoG_
SCHEME_02 Localised drawing for the body. Adjusted to location. |
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FoG_
SCHEME_01 Localised drawing for the body. Adjusted to location. |
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FoG_
761 SHATTERED Localised drawing for the body. Adjusted to location. |
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FoG_
ECLIPSE Chest |
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FoG_
RAYS Localised drawing for the body. Adjusted to location. |
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FoG_
SPLIT ATOM Localised drawing for the body. Adjusted to location. |
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FoG_
MCHNSM_01 Localised drawing for the body. Adjusted to location. |
GRID SYSTEMS
Pieces that mess around with systemic structures, adjusting them as they please. A depiction of freedom within systemic order.
GR_40
Back
Can be expanded across the body.
Back
Can be expanded across the body.
GR_40BLK
Back
Can be expanded across the body.
Back
Can be expanded across the body.
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GR_41
Size is adjustable, across the body. Localised concept, small. |
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GR_42
Front/back of arms or legs. |
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GR_43
Size is adjustable, across the body. Localised concept, small. |
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GR_41
Adjusted to back. Localised concept.. |
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GR_41
Adjusted to the arm. Localised concept.. |
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GR_40
Localised concept..
Localised concept..
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GR_39
Front (arm, chest, sternum) |
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GR_38
Front (arm, chest, sternum) |
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GR_37
Size limitations on placement possibilities, but adjustable to different spots on the body. |
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GR_36
Size limitations on placement possibilities, but adjustable to different spots on the body. |
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GR_35
Thigh |
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GR_34
Size limitations on placement possibilities, but adjustable to different spots on the body. |
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GR_33
Size limitations on placement possibilities, but adjustable to different spots on the body. |
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GR_32
Size limitations on placement possibilities, but adjustable to different spots on the body. |
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GR_31
Size limitations on placement possibilities, but adjustable to different spots on the body. |
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GR_30
Size limitations on placement possibilities, but adjustable to different spots on the body. |
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GR_29
Size limitations on placement possibilities, but adjustable to different spots on the body. |
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GR_28
Size limitations on placement possibilities, but adjustable to different spots on the body. |
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GR_27
Size limitations on placement possibilities, but adjustable to different spots on the body. |
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GR_26
Size limitations on placement possibilities, but adjustable to different spots on the body. |
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GR_22G
Arm |
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GR_22A (Front of the legs)
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GR_26
front. |
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GR_26
Full arm/Full leg |
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GR_24
Size limitations on placement possibilities, but adjustable to different spots on the body. |
23
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GR_23
Size limitations on placement possibilities, but adjustable to different spots on the body. |
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GR_22
Size limitations on placement possibilities, but adjustable to different spots on the body. |
SPHERE OF INFLUENCE
Compositions that rely on systems that cannot be seen, but are present.
Can be combined for a bigger composition.
Can be combined for a bigger composition.
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S/I_01
Hand Foot |
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S/I_02
Back |
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S/I_03
Front, arm, leg, back. |
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S/I_04
Back, Front |
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S/I_05
back, arm |
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S/I_06
Adjustable size/placement |
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S/I_07
Adjustable size/placement |
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S/I_08
Adjustable size/placement |
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S/I_06
Both sides of the face |
PATTERN RECOGNITION
Visible scattered remains of patterns. Still readable.
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PA/RE_01
Both arms/both legs adjustable to front. |
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PA/RE_01
Both arms/both legs adjusted to legs and grayscale |
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PA/RE_02
hand+arm (can be expanded or duplicated to the other hand as well) Adjustable to feet. |
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PA/RE_03
Arm |
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PA/RE_04
Full frontal composition, would be expanded to the back, but minimally. |
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PA/RE_06
Chest (or back)+shoulders |
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PA/RE_01
Front, can be expanded. |
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PA/RE_01
Split between both legs |